We were writing from two very different geographical locations: she, from somewhere just south of the Canadian border, and I, from New York City. Our interfaces with nature and season were likewise considerably different.
The Haiku form leans heavily on specificity of place, season, and simple observations as an expression of the 'haiku moment' - some sublime experience which the poet then attempts to encapsulate within three lines and seventeen syllables.
We had decided to go eighteen rounds, which we did over the course of nine months. Because each haiku in the chain feeds off the previous one, presenting them in pairs is not necessarily the most meaningful way to share them, so here are the first three:
#1 D (3.30.2011)
Light snow falls
on the sod, a robin hops…
#1 L (3.31.2011)
Fallen branches
some with buds
snap underfoot.#2 D (4.4.2011)
A red sunrise—
Coffee sweet with birdsong—
And snow, again…
Photo credit :Ruled by Neptune
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